Friday, June 30
Donauhof, Engerthstraße 141, 1020 Wien
In the 1950s, American art critic Harold Rosenberg wrote that “art must have the will to change the world”—and discerned that very passion and drive in postwar avant-garde movements in painting, poetry, and music.
In our commercial age, art has increasingly degenerated into a global commodity rather than an agent of genuine change. So how do we revive the arts as radical, boundary-breaking, world-transforming forms of creative engagement Rosenberg envisioned more than half a century ago?
Come join us for an evening of performance, encounter, and conversation with both Austrian and American painters, poets, and musicians in our quest to create something radically new in the tradition of Rosenberg’s “actional” art. How does art inform social and political action, and vice-versa?
The event is a benefit for the Donauhhof Coffee House/ Event and Co-Working Space in Vienna’s Second District.
The kickoff event for CRI (entitled “Something’s Happening Here: The Summer of Love and the Birth of the Counterculture”) at the Deer Pile in Denver yesterday afternoon was awesome. The room was full, and we had almost three hours of lively, focused, energizing, and at times brilliant conversation about the meaning of the Sixties both for historians and for those of us today. As the old saying goes, “a good time was had by all.”
A variety of perspectives were offered by different contemporary observers and veterans of the Sixties, including writer and publisher Josiah Hess, Sixties cultural historian Roger Green, Denver photographer Richard Peterson, and University of Denver professors Christina Foust and Carl Raschke as well as Colorado college instructor Jan Briel.
Join us for our next event on May 20 at the Lighthouse in Denver (http://crisis-cafe.com/the-midrashic-unconscious-unearthin…/). You don’t want to miss it!
Saturday, May 20
Lighthouse Writers Workshop, 1515 Race St. Denver, CO 80206
RSVP. Donations appreciated.
“Critical theory”—a broad intellectual movement dating back to 1920s Europe—profoundly helped shape the last generation’s progressive thought. What Frederic Jameson termed the “political unconscious” is now staging a major comeback amidst our current cultural climate. And we desperately need quality literary voices to join the conversation.
Max Horkheimer, a founder of the critical theory movement, once said that such theory is a multi-faceted thought enterprise which seeks “”to liberate human beings from the circumstances that enslave them,” including both their thinking and means of communication.
But what many avid proponents overlook (in what’s now called “new critical theory”) is the movement’s distinctively Jewish origins, and its unmistakable Jewish voice. The founders of the movement aimed not only to foster prophetic conversational critiques of culture, politics, and society, but also to radicalize and reshape our understanding of arts, literature, and media.
Literary writers today—particularly those with Jewish concerns—possess the unique potential to unearth the “critical voice” that can both stir imagination and transform our everyday grasp of reality.
We invite you to join this evening conversation with DU Center for Judaic Studies professor Adam Rovner, novelist and literature instructor Rebecca Berg, and poet/hybrid forms writer Adam Fagin as we discuss critical theory, its unique Jewish voice, and its intersection with these writers’ current literary work.
Together, we’ll explore how critical theory can both enhance and reveal the “midrashic unconscious” of our present-day culture and literature.
Sunday, April 30
The Deer Pile, 206 E. 13th Ave. Denver, CO 80203
RSVP. Donations welcome.
50 years ago this spring a collection of about 25 motley personalities representing different facets and community interests of the thriving Bohemian culture in San Francisco came together and formed what came to be known rather tendentiously as The Council for the Summer of Love.
The result was a gigantic “happening”, as they called it in those days, which went on until September. Young people with long hair and funky dress gathered en masse in the Bay City’s Golden Gate Park on Sunday afternoons. Some went naked and made love in public. A whole new sound of rock music, pioneered by the SF-based group The Jefferson Airplane, splashed onto the scene. Drugs, especially the mind-altering substance known as LSD or “acid”, was suddenly everywhere. “Flower power” was the new watchword, as massive anti-Vietnam War protests now began to escalate. The number one hit song that spring was “San Francisco (Be Sure to Wear Flowers in Your Hair)” sung by Scott McKenzie. The Sixties Counterculture was born.
Come join writer and publisher Josiah Hess, Sixties cultural historian Roger Green, Denver photographer Richard Peterson, and University of Denver professors Christina Foust and Carl Raschke for an evening of reminiscence and rediscovery of this iconic episode in our history as well as a conversation about its enduring significance for both self-reflection and activism in these tense and uncertain times. Peterson and Raschke were actually there when it happened.
This is the kickoff event for CRI Hub.